Host Ira Glass talks with Bennett Miller and Matt Futterman about a campaign for student government that changed the way student elections were done in Mamaroneck High School back in 1985. Futterman, in the waning days of his campaign, tried a radical tactic: A TV ad.
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Dirty political attacks go back to the very beginning of the American Republic. What's different today, says historian Richard Norton Smith, is that television and the other electronic media have made our contact with the candidates so intimate.
There's a TV ad so popular in Canada right now that people chant it in bars, stand and cheer it in theaters and at hockey stadiums. The ad taps into our desire to be part of a mob...and provides a safe way to do it, without fear.
What happens when a crowd converges over something they strongly believe in, for weeks, and months, in front of television cameras that never go away? To what degree does that change the character of being in a crowd? A few days before Elian Gonzalez was seized by Federal authorities, reporter Alix Spiegel went to the lawn of his home, where activists camped out 24 hours a day.
At one grain elevator on the outskirts of Lincoln, Nebraska, during the slow months, the five burly men who load corn, soybeans, wheat and milo onto trains spend their work hours watching soap operas.
Sean Cole explains why he decided that he would speak with a British accent—morning, noon and night—from the age of sixteen until he was eighteen...and how he believed the lie that he was British must be true.
What do cats want to see on television? Steve Malarky, creator of the world's best-selling home video for cats, tells all. And—in the interest of equal time—a cashier who works at a chain store that sells pet products rants about the absurdity of the items she's ringing up every day: St.
No radio program about caregivers in a hospital would be complete without a few words about the caregiver that is the most omnipresent...in every room, in the waiting rooms, at the nurses' stations. It's television.